Several Card Concepts

My final illustration project is to design the face cards (or more) and a backside to a deck of cards. Here are the concepts for my idea I will propose tomorrow. So far there is no king, hopefully I'll get around to that later today.

Backside Pattern

Fragment 4

Piece #4 my drawing series. Decided to break out my acrylics for this one. It just seemed right. I'm not quite happy with how the figures are interacting with the background, but I feel like I'm getting closer as a whole.

Fragment #4, Acrylic & Ink, 12.5" x 10"

I started with a pen and ink skeleton study for the background and worked on top of that with first ink washes, then watery acrylic. I kind of lost the skeleton a bit, which is unfortunate because I rather liked it as a study. It was actually a huge pain to make because I was using a rusty nib - I don't recommend anyone else tries this. It turned out to be extremely labour-intensive and it would have been worth walking 20 minutes to the art store to get a fresh nib. Fortunately, I took a picture of the study before I began ink washes. Here it is, as it was today at 6am (when I went to bed).

❖ HPPYTHXGVNG EVRY1 ! ❖

Fragment 3

Piece number three! This one is almost reversing the approach of the other two by going for a high contrast, high detail background with more obscured figures. I'm going to explore this more in the next piece, although I have a hunch some reconciliation between the two methods will end up as the right way to go.

Ink & Gouache, 12.5" x 10"

GIF(T)

I just learned tonight how to make animated GIFs in photoshop! Or any types of animation, for that matter. Please enjoy this pointless experiment / assault on the eyes. Images used are both mine, photo is of my good pal robbie.

Fragment 3 in alpha testing

Part one (background) of my third piece in the series. It's all rapidograph marks except for the strip on the right side. I liked how it is looking so far, so I decided to document this stage in the piece just in case I royally screw up something as I move forward. I'll be making some figures separately to cut out and place on top of the skull background. Not as morbid as it appears, promise!

Ink, 12.5" x 10"

Fragment Two

Second incarnation of my series. I'm still struggling with the direction to take it, hopefully it'll become clear with the next two pieces.

Gouache & Ink, 12.5" x 10"

Fragment (repost)

(reposted due to a display error)

here is the first piece out of a series for drawing class that eventually must total to 1000sq" (or 2000sq"? I should probably resolve that). i'm still trying to figure out how to put the concept into words, but the basic idea is an exploration of how we as humans place so much value on social interactions, while our various friendships/relationships are quite insignificant when one considers the whole. in a world of 6.7 billion people, the importance of our social successes or failures dwindles to zero very quickly. my goal for the series is to depict various personal interactions, using colour to emphasize the structure of the human body -- as we are all simply human animals in an environment. depending on your point of view, it is either incredible or ridiculous that we so highly value banal interactions with other creatures of our species, often basing our goals and actions on expected social outcome.


but i digress into rambling. hopefully by the end of the series i will have a more concise explanation.


this one didn't turn out as expected, hopefully the next...twelve or so should go better. my process is pretty simple: ink wash and lines first, then watered-down gouache used with a pen nib for the skeletons. also, bad photo.

Gouache & Ink, 12.5" x 10"

Carmen Poster Assignment

My most recent illustration project was to design a poster for a showing of Carmen in a 1:2 format, with several text requirements. We were given freedom in time period, interpretation, characters, etc. so I decided to do a more urban/contemporary character-based poster.

gouache, 9"x18"

A Series of Unfortunate Oil Paintings

Assorted disappointing oil paintings from this semester.

concert review comic?

I'll post real work soon! This is just in the mean time! 


Anyway, the following two page comic is about a concert i went to on monday. it was really just for personal enjoyment, re-living the experience i guess. if it is a bit confusing, here's a summary: heard about a show on monday, decided to go, really enjoyed some strange performances, got a bloody nose and a drumstick, loved life, went home. good times!


you have to fullview for it to be legible at all. 

Nonsense Post.

I haven't been taking very many pictures of my work lately. So please enjoy these two random remnants from my brain this week. The first is another random printout gone wrong, the second is a comic I made while waiting around in studio about trying to stay awake in my 8am class. Better posts will follow soon, promise!

Obey Goobers

You'd think by November I'd have re-aligned the cartridges on my printer. But no. So right now my printer is in this weird limbo state of semi-functional where it gets colours wrong and puts stripes all over the image. Somehow I forgot about this, uh, special feature of my C4600 series and decided to print a photo. Rather than fixing the problem or printing my picture elsewhere, I wasted an hour or two playing around with printing multiple layers onto a single sheet of paper. Kind of like ghetto printmaking. The results were...surprising. I'll leave the value judgement up to you.

Anyway, this is one of the pieces I ended up with, I call it "Obey Goobers". This one is three layers of printing with limited outlining in micron. Weird stuff.

What creative process?

I thought a few people (ie my parents) might be interested in seeing some process images from my latest illustration assignment. The prompt was to create a New Yorker cover modeled after the original Eustace Tilley version. Our illustration class generally uses a two-week cycle of creation -- first week is concept sketches and second week is a finished product. For the first week, I submitted two digital sketches (see first two images in the triptych below). There's a lot of thinking behind each of them, but it suffices to say that they are both about bringing the character of Tilley to the digital age.

Unfortunately these ideas were not well received during group crit so I reinvented my idea to focus on Photoshop as a symbol for modern times. In photoshop, things are so quickly changed and their meanings inverted. It becomes a simple but chaotic process as toolbars and windows fill the screen; the process becomes unintelligible to anyone but the artist/manipulator.

What happens if we apply this to personal identity and style of the "hip" twenty-something?If Eustace Tilley is a symbol of the cultured, pensive individual, how would he feel obligated to dress or act today? Is changing one's attitude as simple as changing one's appearance to the outside world? These are the questions I wanted to evoke with my New Yorker cover.

The right-hand image is my first "draft" of the cover/screenshot. Below is my final piece after some revisions for clarity and composition.

Final image is an actual screenshot of a photoshop workspace with several small alterations (blue bar on left, mouse, etc.). I didn't quite accomplish what I was going for with this piece, but this kind of digital method left me pensive and curious to try again.

Hope this was, if not interesting, at least informative!